Xu Li and Andrey Kovalchuk are presenting an exhibition at Shanghai's New Art Museum, through to July 30.
Homage to 1953, an exhibition at Tsinghua University Art Museum, shows a selection of objects displayed at the 1953 event to review its importance to the evolution of Chinese arts and crafts.
It is a show to connect the past and future of the Yellow River, and to enrich and diversify a unique regional culture that has been thriving along the river.
In his painterly portrayal of landscapes and figures, Yan Zhenduo presents the vividness and vigor of all living things.
Peng Wei is known for her works attempting to bring the tradition of ink-and-water paintings into the narratives of modern life.
The National Museum of China has recently completed upgrading the layout of several of its permanent exhibitions including Ancient Chinese Porcelain.
Dozens of figure paintings, spanning from the 16th to the 20th centuries, are on show at the Powerlong Museum in Shanghai.
This spirit of diligence was behind the accomplishments of Li Jiazhen (1917-2008) in oil painting.
The Inner Mongolia autonomous region in North China is a destination of serenity and poetic beauty for many visitors.
The successive reigns of Kangxi, Yongzheng and Qianlong, three powerful emperors of the Qing Dynasty (1644-1911), saw social stability and prosperity.
Tang Ying, the supervisor of imperial ceramic kilns under the reign of Emperor Qianlong of the Qing Dynasty, said it was the burning fire that turned clay into porcelain ware.
In more than five decades as a painter, Dai Ze has been drawing with blurry vision caused by an eye disease.
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